Hiroya Tanaka Lab + METACITY
Bio Sculpture
Bio Sculpture is an art project exploring “Technology for Multi-species” in the Anthropocene. By opening scientific and technological advancements to natural ecosystems, the project seeks to explore potential forms of technology and unlock latent potential of natural environments. It presents sculptural works directed towards the natural environment, using materials considered seeds of ecosystems. In a metropolis where nature’s importance is overlooked, it encourages macroscopic observation of nature. This marks the first time a Japanese group won the Social Impact Award in the Art Division at the 25th Japan Media Arts Festival.
The project employs a uniquely developed large-scale winch-type 3D printer capable of extending to 30 meters, which extrudes soil to create unconventional soil structures based on coral reef growth algorithms. These structures incorporate internal folds, increasing surface area per unit volume and creating moisture-retentive configurations. The soil combines four natural materials: red soil, black soil, akadama soil, and rice husks. The surface is inhabited by nine different species of moss, each with distinct characteristics, arranged based on sunlight simulations to autonomously regulate temperature, humidity, CO2, and air pollution.
Fragments of forest soil are transplanted into the structure, visualizing their latent potential in a new environment. Through sensing technology, the project monitors long-term changes in the microbial community, various ecological parameters, and soil composition. The work remains installed near the exhibition venue in Kitakyushu, continuing to interact with its surroundings.